EQing in Octaves: Part 2
Gold Clip, Mixing & Mastering Ryan Schwabe Gold Clip, Mixing & Mastering Ryan Schwabe

EQing in Octaves: Part 2

Last time, we explored how thinking in octaves can simplify your EQ process, making it feel more musical and intuitive. Today, we’ll take that concept further by dividing the 10 octaves into 5 key frequency bands—low, low-mids, mids, high-mids, and highs—and discussing how each band shapes our perception of sound. This week, we’ll focus on the first three bands and cover the remaining ones next week. Conveniently, each of the 5 bands spans roughly two octaves. Let’s explore them.

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EQing in Octaves: Part 3
Gold Clip, Mixing & Mastering Ryan Schwabe Gold Clip, Mixing & Mastering Ryan Schwabe

EQing in Octaves: Part 3

Last week, we explored the lows and mids—the fundamental frequencies that give your mix its weight, warmth, and power. Today, we'll focus on the high-mids and highs, where brightness and articulation live. These frequencies are crucial for bringing excitement and clarity to your mix, but they require precise placement to avoid harshness. Let's talk about how to craft a top end that's clear, balanced, and musical.

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The Most Efficient GOLD CLIP Yet!
News & Updates Ryan Schwabe News & Updates Ryan Schwabe

The Most Efficient GOLD CLIP Yet!

We’ve got some exciting news to share... We’ve gone through the entire codebase for both the Mac and Windows versions of Gold Clip, hunting for every possible efficiency. We analyzed every element and made improvements to enhance stability and performance—and the results are exceptional!

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Reviving Loud & Limited Pre-Masters with GOLD CLIP
Gold Clip, Mixing & Mastering Ryan Schwabe Gold Clip, Mixing & Mastering Ryan Schwabe

Reviving Loud & Limited Pre-Masters with GOLD CLIP

As a mastering engineer, I’m often handed mixes that are already limited or clipped. These loud, finalized mixes can be tricky to work with because there’s often very little headroom or transient detail left. What I do as a mastering engineer involves envelope or dynamic shaping just as much as balancing, sweetening, and preparing a mix for distribution.

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The Honor of Working in Music
Mixing & Mastering Ryan Schwabe Mixing & Mastering Ryan Schwabe

The Honor of Working in Music

You never know whether a record you are working on is going to be a hit or not. I have tried to predict it and sometimes I was right, but most of the time I had no idea what was going to catch the attention of the world. Honestly, when you start working on a record that turns out to be a hit, it doesn’t feel very different than what you have done before.

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